As your eye scans each poem’s lithe, lettered lines, an airplane touches down on a narrow landing strip. a needle slices into a jazz record’s waxen groove. suited musicians improvise on Oscar Peterson’s hymn to freedom. a traveler wanders through narrow, moonlit streets. freedom becomes a flight of imagination, a silver-winged melodic arc linking cities distant as habana, bridgetown, montréal. these flights are recorded here, in the jazz poems and wayfaring lyrics of Jason “Blackbird” Selman.

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Take 4 journalists. Send them on assignment to each investigate a mining project by a Canadian company in 4 extractive sectors: GOLD. BAUXITE. URANIUM. OIL. Have the reportages converted into scripts destined for graphic interpretation. Give the scripts to 4 award-winning comix artists to illustrate and EXTRACTION! is the result
Comix journalism will never be the same!

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$32 - 7.5" X 9" - 360 pages - fully bilingual

These 659 posters, assembled for the first time in one album, offer a veritable journey through Québec’s social history and political imagination of the past four decades.

This collection of union, political, community, feminist, sociocultural and anti-globalization posters brings to our collective memory the popular struggles that have marked the history of social movements in Québec. It gives a voice to those who, through the strength of their commitment and creativity, have contributed to a more humane, just and democratic world.

These images taken from the streets are much more than a mirror of our combined aspirations: they are an invitation to move ever forward. The posters portray demanding, accusatory, irreverent and hopeful actions and offer as many original—sometimes radical—proposals on how to improve the lives of our society’s downtrodden, mistreated, exploited and marginalized groups and individuals.

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"What's the difference between exploring and being lost? The journey is the destination." -- Dan Sheldon

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Two percussion players, one trap drummer, a bassist, a guitarist, a keyboardist, and three horn players cram onto a floor-level stage. Twelve vocalists squat stage right, waiting for their chance to touch the mic. The air crackles with anticipation. In the crowd, Blacks, Browns, Whites are packed together so tightly that, as in the Langston Hughes poem about riding the New York subway, there is “no room for fear.” One person inhales another’s language. Welcome to Kalmunity’s Live Organic Improv at Sablo Kafé.
This anthology collects the words and thoughts of Kalmunity’s rappers, dub poets, jazz poets, singers, and musicians as they reflect on collective improvisation, freedom, love, history, politics, and the divine.

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"Deviant behaviour and homosocial elements in a military society."

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“North of 9/11 is political science at its best. Centred at Concordia University in Montréal during the tumultuous months following 9/11, this historical novel lays bare Canada’s complicity in the American-led war on terror and related state-sponsored repression of dissent. With its focus on a small group of pro-Palestinian activists and their Zionist antagonists, the novel brings to life the realities and subtleties of politics in our times. Bernans’ poignant description of the relationship between a conservative father and his radical daughter is reminiscent of Philip Roth’s American Pastoral.”
— David Noble, historian & author of Beyond the Promised Land

"Harvey Christ's paradoxical expression of both reverence and rebellion, low budget mystique wrapped in the baroque imagery of Catholicism, and a general bohemian respect for the absurd mirrored perfectly a time when all [in Montréal] were living in 4-bedroom apartments with 12-foot ceilings whilst scrounging for milk money."

-- Rufus Wainwright

During the Bolshevik Revolution, a young activist woman loses the cherished book of poems she has carried in her undercoat pocket since the battles began. She referred to it for comfort while hidingout
behind the crumbled ramparts of the citadel. She remembers reading “Notre-Dame” while standing in line for a cup of soup. She penned her
first poem on its printed pages shortly after the massacre and inked-in flowers right after the last frost. This is her lost book. Found. It is personal reading for anyone left behind.

In this bold collection, Kirk Johnson is part archivist, biographer and archaeologist. Extracted from speeches, conversations, letters, manifestos and memoirs that chronicle the Bolshevik Revolution and the violent overthrow of the Russian Monarchy, the metrics of his historical method defy tradition. Though grounded in documentation, Johnson is more modern troubadour: his poems are part songs, part folk tales.

"Kaie Kellough declares Cool Age Québécitude, / remixing urban vibes with négritude. / His poetry, spare chic Shakespeare, shakes / CanLit with reggae riff, steelpan quakes."

-- George Elliott Clarke